Understanding Zohran Mamdani's Sartorial Statement: The Garment He Wears Reveals Regarding Modern Manhood and a Shifting Society.
Growing up in London during the noughties, I was constantly immersed in a world of suits. You saw them on City financiers hurrying through the Square Mile. You could spot them on dads in Hyde Park, kicking footballs in the evening light. Even school, a inexpensive grey suit was our required uniform. Historically, the suit has functioned as a costume of gravitas, projecting power and performance—traits I was told to embrace to become a "adult". Yet, before recently, my generation seemed to wear them less and less, and they had all but vanished from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony dressed in a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Riding high by an innovative campaign, he captured the world's imagination like no other recent mayoral candidate. But whether he was cheering in a hip-hop club or appearing at a film premiere, one thing was mostly unchanged: he was almost always in a suit. Loosely tailored, contemporary with soft shoulders, yet traditional, his is a typically professional millennial suit—that is, as common as it can be for a cohort that rarely bothers to wear one.
"This garment is in this strange position," notes men's fashion writer Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the significant drop coming in the 1990s alongside "the rise of business casual."
"Today it is only worn in the most formal locations: weddings, funerals, to some extent, legal proceedings," Guy explains. "It's sort of like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long ceded from daily life." Many politicians "don this attire to say: 'I represent a politician, you can trust me. You should support me. I have authority.'" Although the suit has traditionally signaled this, today it performs authority in the attempt of gaining public confidence. As Guy elaborates: "Since we're also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it performs masculinity, authority and even proximity to power.
Guy's words resonated deeply. On the infrequent times I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo retailer a few years ago. When I first picked it up, it made me feel sophisticated and expensive, but its tailored fit now feels outdated. I imagine this sensation will be all too familiar for numerous people in the global community whose families come from somewhere else, particularly global south countries.
Unsurprisingly, the everyday suit has lost fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can thus define an era—and feel rapidly outdated. Consider the present: looser-fitting suits, reminiscent of a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a significant investment for something likely to fall out of fashion within five years. But the appeal, at least in certain circles, persists: in the past year, department stores report tailoring sales increasing more than 20% as customers "shift from the suit being daily attire towards an desire to invest in something special."
The Politics of a Mid-Market Suit
The mayor's go-to suit is from Suitsupply, a Dutch label that retails in a moderate price bracket. "He is precisely a reflection of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his mid-level suit will resonate with the group most likely to support him: people in their thirties and forties, college graduates earning middle-class incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits plausibly don't contradict his proposed policies—such as a capping rents, constructing affordable homes, and free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and grew up in that New York real-estate world. A power suit fits naturally with that elite, just as attainable brands fit well with Mamdani's constituency."
The history of suits in politics is extensive and rich: from a former president's "shocking" tan suit to other world leaders and their notably impeccable, custom-fit sheen. Like a certain British politician discovered, the suit doesn't just dress the politician; it has the power to characterize them.
Performance of Banality and A Shield
Perhaps the key is what one academic calls the "performance of ordinariness", invoking the suit's long career as a uniform of political power. Mamdani's specific selection leverages a deliberate understatement, neither shabby nor showy—"respectability politics" in an inconspicuous suit—to help him appeal to as many voters as possible. However, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "This attire isn't neutral; historians have long pointed out that its contemporary origins lie in military or colonial administration." Some also view it as a form of defensive shield: "It is argued that if you're a person of color, you might not get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, particularly to those who might question it.
Such sartorial "code-switching" is hardly a new phenomenon. Indeed iconic figures previously wore formal Western attire during their formative years. Currently, other world leaders have started exchanging their usual fatigues for a black suit, albeit one lacking the tie.
"Throughout the fabric of Mamdani's image, the struggle between insider and outsider is visible."
The attire Mamdani chooses is deeply significant. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters look for as a sign of leadership," says one expert, while simultaneously needing to walk a tightrope by "not looking like an establishment figure betraying his distinctive roots and values."
But there is an sharp awareness of the different rules applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, able to assume different identities to fit the situation, but it may also be part of his diverse background, where code-switching between languages, customs and attire is common," it is said. "White males can go unnoticed," but when women and ethnic minorities "attempt to gain the power that suits represent," they must meticulously negotiate the expectations associated with them.
In every seam of Mamdani's official image, the dynamic between somewhere and nowhere, inclusion and exclusion, is visible. I know well the awkwardness of trying to conform to something not designed with me in mind, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in politics, appearance is not without meaning.